Using the Compress/Limiter toggle, select Compressor (approximately 3:1 ratio) or Limiter. Based on the early ‘70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. The Waves CLA-2AThe CLA-2A is modeled on the original Teletronix LA-2A unit from the early 1960s. The CLA-2A offers 2 main controls for compression, as well as additional controls for fine-tuning. Buy 2 Waves Plugins, Get 2 Free after registration at Waves. Sweetwater Sales Engineers agree, the CLA-2A native compressor/limiter plug-in gives you world-class dynamics control at a sweet price. An illustration of a heart shape 'Donate to the archive' An illustration of a magnifying glass. Waves Cla Vocals Plugin Free Download Full Crack - DOWNLOAD (Mirror 1). We will keep fighting for all libraries - stand with us A line drawing of the Internet Archive headquarters building façade. The CLA-2A is often used for vocal and bass compression, as it can help add warmth and thickness. Waves CLA 2A compressor limiter owners manual. The original UREI 1176 was the first solid-state peak limiter, relying on a field-effect transistor (FET) for its gain control. bass compression: The CLA-3A is often used for electric guitar compression, as it can help control dynamic peaks and add clarity and detail to the performance. Also in the CLA Classic Compressors series is CLA-76. overall warmth: The CLA-3A has a slight mid-range emphasis that can help bring out the detail and clarity in a mix, while the CLA-2A has an overall warmth and smoothness that can help thicken up a sound. This gives the CLA-3A more flexibility in terms of how much compression is applied to the signal. Note: This is a non-refundable digital download. Top it all off with Chris Lord-Alge’s personal presets, and seemingly limitless instantiations, and you’ve got a model that surpasses its inspiration. variable ratio: The CLA-2A has a fixed compression ratio of 4:1 (but the ratio will fluctuate depending on the source), while the CLA-3A has a variable ratio that can be adjusted from 2:1 to 10:1. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. This gives the CLA-3A a faster attack time and a more aggressive sound, while the CLA-2A has a slower attack time and a more gentle sound. electro-luminescent gain reduction: The CLA-2A uses an opto-gain reduction element, while the CLA-3A uses an electro-luminescent (EL) gain reduction element.
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